"...Whether suspended from the ceiling, floating on a wall or supported by wheels, the female figures as replications imply a referential construct which makes for an important condition of transformation and mutual dependency. One can consider suspension and its use here in relation to the restriction of time as when the Chrysalis is held in the cocoon attached to the limb of a tree, a condition which gives it a reference to the ongoing and continuous; the stable referential which helps to make possible the great transformation..."

Tim Whiten, Practicing North American Artist, Senior Scholar, Professor Emeritus, York University, Toronto.